On overcoming writer’s block

The setting is your office. You’re bathed in the dull glow of your computer screen, staring at a blank page in Word, trying to write a paper.

Blink.

Blink.

The cursor is watching you, mocking you, laughing at your inability to get words out.

Blink.

Blink.

Your mind locks up as you wonder “what do I have to say?” The more you try to force out words, the harder it becomes, and eventually the frustration leads to you sitting there, at your desk with your head in your hands, wondering how you’ll ever finish.

Blink.

You then Google “how to overcome writers block” and end up on this post.

The official name for this is the "? block"
The official name for this is the “? block”

Writer’s block is a tough thing to deal with, but one we’ll all have to tackle at some point – either at the start of our training while we’re writing outlines and proposals, at the end when we’re writing up manuscripts and theses, or afterwards, as we’re working on papers and other documents. As science communicators, the toughest part is often figuring out exactly how to begin, and how to frame the core message that we want to get across – a process that can be incredibly frustrating. So the question becomes, how do you deal with it?

Now, I’m going to state the obvious here, but it’s a necessary point: The hardest part of writing is starting to write. Once you start though, it becomes infinitely easier to get content out onto the page. To help you kick start your writing process, I’m going to give you a few tips, and as always, I’d love to hear what you do to overcome writers block when it hits in the comments.

1) Isolate yourself. Remove all distractions – phone, coworkers, cats, get rid of it all. You want to be able to focus exclusively on writing. The fact is that if you have an easy out, you’re more likely to take it, i.e. “I’m stuck, I wonder if anything has changed on Facebook in the past 3 minutes? And this Buzzfeed article seems great, and look at what this cat is doing…” It’s tough to start writing, and removing distractions means you’ll struggle through those tough parts rather than put it off and do something else. You need to power through this part.

2) Talk it out. This one sounds strange, but is one of my favourites and has been hugely effective for me. Occasionally, I’ll close my office door, stand up, and pretend I’m giving a talk about whatever it is I’m writing about. Now only does this get you thinking about the topic at hand, but without the intimidation of the cursor and blank word document staring at you, it is easier to just get your ideas out. Be organic: stand up, pace back and forth, talk like you normally would, and don’t focus on the minutia of your project. Talk about the broad strokes and the flow of your arguments, and see if they helps you over the initial hurdle.

Alternative: Grab a coworker, go for coffee, and outline your paper/idea to them. Tell them their job is not to have a conversation with you – their job is to ask questions and prod you when you get stuck, and help you jump start your writing. Obviously, you owe them coffee/donut(s) for listening to you 🙂

TUPAC SHAKUR
Tupac Shakur released a song called “My Block” (click to listen)

3) Write an outline. For those who don’t like talking things out, this is an effective alternative. Sketch down the key points you want to make in each paragraph, and write as much information about each paragraph as you can without losing momentum. Even if you do talk it out, this is a good way to conceptualize your work. By the end, you should have something like this:

Paragraph 1: Open with a scene about writers block
Paragraph 2: Describe writers block, transition into list
Paragraph 3: Start outlining key points
etc

This is an engine block.
This is an engine block.

4) Start writing. Don’t think about grammar, phrasing, punctuation or language rules. Just get words out. Ignore word choices, ignore making things sound “professional.” Just get those ideas out and onto the page. At this point you want to have something out there to look at and critique, and hopefully, if you followed steps 1 through 3, you’ve got a few ideas up your sleeve now. Remember: the ideas don’t have to flow. You can write two distinct paragraphs, making two very different points, and that’s fine. You can go back later and fine tune things. Again, all you’re trying to do here is get something out onto the page that you can work with.

5) Do something else. Up until this point, I’ve talked about isolating yourself and focusing on writing. Here, I’m going to suggest leaving it, but with one caveat. Go and do something else that gets you moving, but not something that engages you entirely – something like cooking, cleaning, going for a run, lifting weights etc. Something that allows you to get yourself up, but without taking your full attention. There’s a reason why we have our best ideas in the shower, and turns out it’s because of the combination of 1) the release of dopamine, 2) being relaxed, and 3) being distracted enough that your subconscious can engage and work on a problem, results in you being more creative (science here)

mutombofingerwag
Dikembe Mutumbo was famous for his ability to block

Before you know it, you’ve got an outline, some body text and a fleshed out idea of what you want to say, and that’s half the battle right there. After you’ve got a skeleton to work with, it becomes a lot easier to start writing, and begin building your arguments.

How do you deal with writer’s block?

This post originally appeared on MrEpidemiology.com

Author: Mike Klymkowsky

I am a Professor of Molecular, Cellular, and Developmental Biology at the University of Colorado Boulder. Growing up in Pennsylvania, I earned a bachelors degree in biophysics from Penn State then moved to California and earned a Ph.D. from CalTech (working for a time at UCSF and the Haight-Ashbury Free Clinic). I was a Muscular Dystrophy Association post-doctoral fellow at University College London and the Rockefeller University before moving to Boulder. My research has involved a number of topics, including neurotransmitter receptor structure, cytoskeletal organization and ciliary function, neural crest formation, and signaling systems in the context of the clawed frog Xenopus laevis as well as biology education research, leading to the development of the Biological Concepts Instrument (BCI), a suite of virtuallaboratory activities, and biofundamentals, a re-designed introductory molecular biology course. I have a close collaboration with Melanie Cooper (@Michigan State) that has resulted in transformed (and demonstrably effective and engaging) course materials in general and organic chemistry known as CLUE: Chemistry, Life, the Universe & Everything. I was in the first class of Pew Biomedical Scholars and am a Fellow of the American Association for the Advancement of Science.

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